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Konstfack was invited as one of the 40 jewellery classes from over the world to attend a pop-up exhibition at Pinakothek der Moderne, the design museum in Munich, during the jewellery week. It was a celebration for the 100th anniversary of the museum. The event was for one night only, so a large crowd was to be expected. The work I brought, titled Encrypted Letter (2026), was a piece of folded steel sheet with enamel on the surface, which imitates the look of a piece of paper

Feeling sadly poetic today. The snow is falling despite the bright sky. They fall through the cracks of cloud, falling with the glimpses of sunlight. I was thinking about my practise and how I always notice the cracks on the road, peeled wall surfaces. There are so many of them scattered around the world, it can barely be called art for how common they are. Yet somehow there is a beauty in it that I can never take my gaze away. They say that the world is supposed to be this k

As a part of the installation project, The Room He Lived In (2026), I gave myself the task of writing 11 letters. These letters are to be written on steel sheets, which will then be etched, leaving a faint memory of the text but not so easily readable. As for the content of the letter, I dug up some texts that I've written in my phone, things that vaguely relate to the feeling of missing someone. However I couldn't make it to 11. After carefully writing a few of the letters

I don’t know about you, but repairing and rearranging things at home is almost a meditation for me. There is some sort of peace in the repetition of living the same space. Unimportant details that provide joy in small doses, for many years to come. I remember that day, perhaps an afternoon, when there is nothing better to be done. I am looking at this huge brown frame in my living room. This brown frame had existed as long as the apartment. When I first moved in, I wanted a h